However, Anneliese manages to quell Jordan’s suspicions by confessing part of the truth: that Ruth is not really her daughter but a war orphan.
Jordan soon grows suspicious of Dan’s new bride: A candid shot captures Anneliese’s furtive “cruel” glance-and there’s that swastika charm hidden in her wedding bouquet. Meanwhile, Jordan, an aspiring photographer living in Boston with her widowed antiques-dealer father, Dan, welcomes a new stepmother, Austrian refugee Anneliese, and her 4-year-old daughter, Ruth. Lorelei’s mother, blandished by Tony, reveals that her daughter immigrated to Boston. The same set of circumstances that led Ian to enter a marriage of convenience with Nina, a Siberian former bomber pilot, has also given both common cause: to chase down Lorelei Vogt, a Nazi known as the Huntress, who, by her lakeside lair in Poland, trapped and killed refugees, many of them children. In postwar Europe, Ian, a British war correspondent with a vendetta, and his American sidekick, Tony, have set up a shoestring operation to catch the war criminals who seem to be not just slipping, but swarming through the cracks. Nazi hunters team up with a former bomber pilot to bring a killer known as the Huntress to justice.
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